We spent a glorious spring evening at the Royal Geographical Society for the annual Kirker Spring Lecture, continuing our long relationship with the Venice in Peril Fund.

Adam Lowe delivered a fascinating talk, entitled "Preservation as a Creative Act: Perils to Venice in the 21st Century". His lecture explored the concept of authenticity and replication in art, through the example of Factum Arte's digital reproduction of 'The Wedding at Cana' by Veronese (1562–1563).

Originally displayed in the monastery of San Giorgio Maggiore in Venice, this painting was stolen by Napoleon and now resides in the Louvre, facing the Mona Lisa. After centuries of the refectory laying bare, Factum Arte installed a meticulous facsimile - and on its grand reveal, Lowe recalled that a third of the audience were in tears, inviting us to question the power of artistic reproductions.

Reflecting on the beauty of Venice and its relationship with the water, Lowe brought to our attention the impact of rising sea levels and over-tourism, all of which threaten the future of Venice. If we want to be able to enjoy Venice and its treasures for years to come, we must Venice responsibly, contribute to the local economy, support the local population and important museums, and consider supporting the conservation and restoration work carried out across the city by the Venice in Peril Fund.